497,520 Free Images of Art Center

yale center for british art chromolithographs in the yale center for british art leslie ward chromolithograph engraving engravings in the yale center for british art graphite paper watercolor paintings in the yale center for british art francesco bartolozzi

Vanity Fair: Royalty; 'A Future Commander-in-Chief', H.R.H. The Duke of Connaught, June 17, 1876, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Politicians - Vanity Fair. 'To abandon Conservative ideals is to destroy the Empire.' Sir John Dickson Poynder. 22 June 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair - Architects and Engineers. 'King Dick'. The Rt. Hon. Richard John Seddon. 17 April 1902, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Military and Navy; 'The Kaid', General Sir Harry Aubrey De MacLean, February 25, 1904, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Illustration from Bell's edition of the Poets of Great Britain, Volume LXXIII, Mallet: "...and close within his grasp /was clenched a broken oar", Francesco Bartolozzi

engravings in the yale center for british art francesco bartolozzi

Politicians - Vanity Fair - 'A most discreet Under Secretary, drawn for the first time'. The Earl of Donoughmore. February 9, 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames, Samuel Buck, 1749

engravings in the yale center for british art samuel buck

Swearing to the Cutting Monster or A Scene in Bow Street, James Gillray, 1790

engravings in the yale center for british art james gillray

- "and would'st thou turn the vile Reproach on me?", James Gillray, 1807

engravings in the yale center for british art james gillray

Vanity Fair: Royalty; 'H.R.H. The Crown Prince of Denmark', Prince Christian Frederick Charles William, December 12, 1895, Leslie Ward

chromolithographs in the yale center for british art leslie ward

The Paring of Her and Leader, A Fire at Sea and The Sun Rising in a Mist, Samuel Bradshaw

engravings in the yale center for british art samuel bradshaw

Politicians - Vanity Fair. 'A Successful First Speech. Moab is my Washpot.' Mr. F.E. Smith. 16 January 1907, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames, Samuel Buck, 1749

engravings in the yale center for british art samuel buck

Politicians - Vanity Fair. 'Has set for three and forty years.' Mr. Frederick Winn Knight. 8 November 1884, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Politicians - Vanity Fair - 'The Heritage of Wol'. The Rt. Hon. H.O. Armold-Forester. April 24 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

E d'uccider se stesso in pensier venne / E lo facea, ma il Re Sobrrin lo tenne!, Francesco Bartolozzi, 1773

engravings in the yale center for british art francesco bartolozzi

The Riot in Broad Street on the Seventh of June 1780, James Heath, 1790

engravings in the yale center for british art james heath

Vanity Fair: Military and Navy; 'Commodore H.M.'s Yachts', Rear Admiral Sir Colin Keppel, Leslie Ward, circa 1909

chromolithographs in the yale center for british art leslie ward

The French Invasion; or John Bull, bombarding the Bum Boats, James Gillray, 1793

engravings in the yale center for british art james gillray

Northwest View of the Interior of St. Alphage Church London Wall, William Wise, 1815

engravings in the yale center for british art william wise

Vanity Fair: Military and Navy; 'Fresh from the Channel Sheet', Vice-Admiral Sir Henry H. Rawson, April 25, 1901, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!, James Gillray, 1782

engravings in the yale center for british art james gillray

The Society for the Encouragement of the Arts (2 copies), James Barry, after 1783

engravings in the yale center for british art james barry

One of a set; VANITY FAIR, Ambassadors to England: Japan, The Viscount Tadasu Hayashi, 24 April 1902 (with biography), Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Military and Navy; 'A Keeper of the Tower', Lieutenant-General Sir George Luck, December 4, 1907, Leslie Ward

chromolithographs in the yale center for british art leslie ward

The Siege of Blenheim - or - The New System of Gunning Discoverd -, James Gillray, 1791

engravings in the yale center for british art james gillray

Interior of Part of Crosby Hall, Called the Council Room, Samuel Rawle, 1816

engravings in the yale center for british art samuel rawle

Vanity Fair: Military and Navy; 'The Victoria and Geneva Crosses', Colonel Robert James Lloyd Lindsay, November 4, 1876, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Fan Mount: Decorated with three Medallions, the Central Medallion is of an Angel driving a Two Horse Chariot, Francesco Bartolozzi, 1782

engravings in the yale center for british art francesco bartolozzi

Vanity Fair: Royalty; 'The Empire', H.I.H. The Prince Imperial, Eugene Louis Jean Joseph, July 14, 1877, Leslie Ward

chromolithographs in the yale center for british art leslie ward

The Paring of Her and Leader, A Fire at Sea and The Sun Rising in a Mist, Samuel Bradshaw

engravings in the yale center for british art samuel bradshaw

Vanity Fair: Shipping Officials; 'He built the Alabama and the Captain', Mr. John Laird, May 17, 1873, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Politicians; 'A Successful First Speech: Moab is my Washpot', Mr. F. E. Smith, January 16, 1907 (B197914.957), Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Military and Navy; 'An Admiral of the Fleet', The Earl of Clanwilliam, January 22, 1903, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter., Leslie Ward, 1906

chromolithographs in the yale center for british art leslie ward

Mountainous Landscape Scene with One Figure on Horseback and One Figure Walking, William Brockedon

drawings in the yale center for british art william brockedon

Illustration from Bell's editin of the Poets of Great Britain, Volume LXXXVII Hammond: "And Love himself could flatter me no more", Francesco Bartolozzi

engravings in the yale center for british art francesco bartolozzi

Vanity Fair - Bankers and Financiers. 'Old Mother Hubbard'. The Rt. Hon. John Jellibrand Hubbard. 4 October 1884, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Politicians - Vanity Fair. 'New South Wales'. The Rt. Hon. the Earl of Jersey 11 October 1890, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Horses Fighting, Sawrey Gilpin

watercolor paintings in the yale center for british art watercolour paintings of horses

Sans-Culottes, Feeding Europe with the Bread of Liberty, James Gillray, 1793

etchings in the yale center for british art james gillray

View of Westminster Hall and Abbey from the Bridge, John Gendall, 1818

watercolor paintings in the yale center for british art watercolor paintings of london

Lincoln's Inn Hall and Chapel, Samuel Ireland, between 1794 and 1800

watercolor paintings in the yale center for british art london in the 1790s

A View of London Bridge, Edmund Walker, 1858

watercolor paintings in the yale center for british art watercolor paintings of london

Prime Ministers - Vanity Fair. 'A gentle shepherd who would lead his flock into the protectionist fold'. Mr. Andrew Bonar Law'. 2 March 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Sports, Miscellaneous: Fencing; 'He insists that his Pen is Mightier than his Sword', Mr. Egerton Castle, Leslie Ward, circa 1905

chromolithographs in the yale center for british art leslie ward

One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography), Leslie Ward

chromolithographs in the yale center for british art leslie ward

A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty., James Gillray, 1793

engravings in the yale center for british art james gillray

A Perspective view of the East Front of Hampton Court, taken from the Park Gate, John Tinney

engravings in the yale center for british art john tinney

A View of the House and part of the Garden of Sir Francis Dashwood, Bt. at West Wycomb, Bucks, William Woollett

engravings in the yale center for british art william woollett

Vanity Fair: Turf Devotees; 'He Patronizes Literature and the Turf but does not Waste his Money', Lord Howard de Walden, May 17, 1906, Leslie Ward

chromolithographs in the yale center for british art leslie ward

One of a set; VANITY FAIR, Ambassadors of England: Austro-Hungary Count Fraz Deym, 24 February 1898 (with biography), Leslie Ward

chromolithographs in the yale center for british art leslie ward

I Have Laid the Foundation and Another Buildeth Thereon, But let every Man take Heed how he Buildeth Thereon, 1 Cor. 3, 10, Francesco Bartolozzi

engravings in the yale center for british art francesco bartolozzi

A King presenting a cup to a Queen who refuses to Drink "...storzata e vinta, / Dindi beveo pui Lagrime che Vino", Francesco Bartolozzi

engravings in the yale center for british art francesco bartolozzi

A View of Foots-Cray Place in Kent, The Seat of Bourchier Cleeve, Esq., William Woollett

engravings in the yale center for british art william woollett

A View of the House and part of the Garden of His Grace the Duke of Argyll, at Whitton, William Woollett

prints in the yale center for british art william woollett

Vanit Fair - Doctors and Scientists. 'He has devoted his life to husbandry, and has nine children'. The Earl Cathart. 14 April 1888, Leslie Ward

chromolithographs in the yale center for british art leslie ward

The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick, James Gillray, 1787

engravings in the yale center for british art james gillray

Vanity Fair: Teachers and Headmasters; 'St. John's, Oxford', The President of St. John's College, Oxford, Dr. J. Bellamy, April 1, 1893, Leslie Ward

chromolithographs in the yale center for british art leslie ward

And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled, Luke Sullivan, 1752

engravings in the yale center for british art luke sullivan

To the Memory of Sir George Saville Bart, Who in five Successive Parliaments represented the County of York... 1790, Francesco Bartolozzi, after 1790

engravings in the yale center for british art francesco bartolozzi

Presentation of the Mahometan Credentials - or - The Final resource of French Atheists, James Gillray, 1793

engravings in the yale center for british art james gillray

An Oblique View of the East Front of Hampton Court, with part of garden, John Tinney

engravings in the yale center for british art john tinney

One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair - Businessmen and Empire Builders. 'He has engineered nothing better than his own fortunes'. Sir John Wolfe-Barry. 26 January 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

A View of the Great Room etc. at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq., William Woollett

engravings in the yale center for british art william woollett

The Elevation of a New House Intended for his Grace ye Duke of Chandos, in Mary Bone Fields, Henry Hulsbergh, 1720

engravings in the yale center for british art henry hulsbergh

One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography), Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Military and Navy; 'The Soldier who Couldn't draw his Sword', Major General Sir Henry Marshman Havelock, March 29, 1879, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair - Fox Hunters. 'An M.F.H. with a scene of humour'. Lord Willoughby de Broke. 23 November 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting, James Gillray, 1796

engravings in the yale center for british art james gillray

Illustration from Orlando Furioso: "Che debbo far? che poss'io far qui sola? / che mi da ajuto, oime, che mi consola?", Francesco Bartolozzi, 1773

engravings in the yale center for british art francesco bartolozzi

A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall, Samuel Rawle, 1816

engravings in the yale center for british art samuel rawle

One of a set; VANITY FAIR, Ambassadors to England: The German Ambassador, Count George Herbert Munster, 23 December 1876 (with biography), Leslie Ward

chromolithographs in the yale center for british art leslie ward

Politicians - Vanity Fair - 'Has kept his seat for six-and twenty years'. The Rt. Hon. Thomas Emerson Headlam. April 19, 1873, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Royalty; 'He endowed Persia with a National Debt', Nassar-ed-din, The Shah of Persia, July 5, 1873, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Stag, Doe and Fawns, Samuel Howitt

watercolor paintings in the yale center for british art stags in art

Harlech, no. 2, Francis Seymour Haden, 1880

drypoint prints in the yale center for british art francis seymour haden

The Death of Cora, Francesco Bartolozzi, 1788

etchings in the yale center for british art francesco bartolozzi

Portrait Sketch of Two Men, Charles Keene

drawings in the yale center for british art charles keene

A Glade in a Wood, William Pars

watercolor paintings in the yale center for british art william pars

Merrick Abbey, Swaledale, John Charles Varrall, 1822

etchings in the yale center for british art john charles varrall

A Lecture on Gadding, Francesco Bartolozzi, 1789

etchings in the yale center for british art francesco bartolozzi

Lion and Lioness Attacking a Steer, Samuel Howitt

drawings in the yale center for british art samuel howitt

A Tree Overhanging a River, Thomas Creswick

drawings in the yale center for british art thomas creswick

Gun and Limber, No. 7, Thomas Sandby, 1747

watercolor paintings in the yale center for british art thomas sandby

Miss Anna Crouch, Francesco Bartolozzi, 1788

etchings in the yale center for british art francesco bartolozzi

D. I. de Pina Manique, Francesco Bartolozzi

etchings in the yale center for british art francesco bartolozzi

Landscape with Thatched Buildings, Amelia Long, 1809

watercolor paintings in the yale center for british art amelia long

Llandovery Castle, South Wales, William Alfred Delamotte, 1829

drawings in the yale center for british art william alfred delamotte

The New Moon, William Bell Scott, 1863

watercolor paintings in the yale center for british art william bell scott

An Overshot Mill, Andrew Nicholl

watercolor paintings in the yale center for british art overshot water wheels

Vidua chalybeata (Village Indigobird), Luigi Balugani

watercolor paintings in the yale center for british art vidua chalybeata

Bhagulpur, Thomas Daniell

watercolor paintings in the yale center for british art orientalism

Cleghorn Mills in Ruins, Edmund Marriner Gill, 1864

watercolor paintings in the yale center for british art watercolor paintings of scotland

Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider, Spencer Gore, 1912

drawings in the yale center for british art spencer gore

The Death of Lucretia, Gavin Hamilton, 1763 to 1767

the death of lucretia by gavin hamilton neoclassicism

Portrait of a Lady, Edward Norgate, circa 1610

17th-century portrait miniatures in the yale center for british art edward norgate

Pilibhit, Thomas Daniell

drawings in the yale center for british art orientalism

After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair), Samuel Alken

watercolor paintings in the yale center for british art jockeys in art

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